It harkens back to recurring dreams I once had, of new Tintin adventures. Either I'd find books I hadn't seen before, or I'd be in the middle of a new Tintin adventure - sans Tintin, but with a cinematic style directly located in his world.
Then I discovered the world of Tintin pastiches: others had had similar visions but were better able to realise them, through art.
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Edwood's Le Projet O-Light is my favourite new Tintin book - yet it only exists as a cover. There are several other good Edwood covers, including Le Rocher Des Kangarous (Kangaroo Rock), in which Tintin finally made it to Australia after Flight 714 For Sydney.
But early this decade, the executors of George (Herge) Remi's estate, Moulinsart, positively stomped on Tintin tributes. In some senses this was fair enough: some of the pastiches were appallingly executed, and several were downright contre to the spirit of Remi (including the pornographic and the downright bloodthirsty).
Yet this sent the more faithful scurrying for the hills, which is a shame because the best of them are truly worthy of licensing - including several reverent, full-colour renditions of Remi's last, Tintin And Alph-Art - the best and most complete being Yves Rodier's.
More recent searching has revealed that Edwood's Project morphed into none other than The Voice Of The Lagoon. For which he had already executed several pages - albeit in pencil. It is set in Madagascar; the early pages are simply picaresque episodes of humour revolving around a diving suit.
Still, the O-Light cover is a brilliant rendition of Tintin, which compels the imagination to open up.
For the best completed work, seek out Rodier's Alph-Art. The best current site discussing Tintin pastiches is http://www.naufrageur.com, although it helps to understand French.
08-Aug-2012 update: The comment below looks to be correct on the source of the image above. For the record, here's Calculus/Tournesol Affair, page 31, strip/bande 1 - look carefully:
To be precise, look at the figures in the third image:
Well spotted! It does seem to be extracted from this frame. Not obvious at all: the rework is high quality.
From memory, the centrepiece figures in Edwood's Rocher Des Kangarous cover are extracted from somewhere in Tintin In Tibet. I wouldn't begrudge him this. The verisimiltude is preserved, within a well-executed background.